Witness to carnal degradation and vulgar spectacle yet not sullied by affective participation in same, here Morticia sounds a clarion call for SoH repudiation on the grounds that the belfry should never be substract to the mezzanine, betraying immediately her delusional state of vile and plebian category.
Gentlemen, we are not derogated by our collective enterprise, but augmented by it; we shall live to achieve immortality and glory, and if buffoons gaze upon our posturing and jeer we should be but strengthened in our resolve, for in the words of Camus, all great deeds and all great thoughts have ridiculous beginning.
Though challenging for the beginner, a successful full-monty rubber headsock shoe on head combines elegance, grace, and sophistication, and achieves the goal of protection of one’s head from the elements whilst simultaneously addressing the awkward but common problem of respiration.
Debate exists within the community as to whether this controversial technique genuinely constitutes a Shoe on Head maneuver, or whether it ought to be more properly described as a Shoe over Head. The preponderance of current academic opinion supports the former interpretation, based on a percentile mass/volume weighting with regard to the shoe’s dominant positionality.
Bonus perversion points awarded, of course, for pulling off this advanced SoH technique whilst sweating and naked.
A held flower awaiting the sunrise, unsavory pecuniary intimations, a world of infinite possibility.
Here Mrs Potatohead demonstrates that the sentiment and motivation appropriate to a footgear aesthete need not reside only within individuals questionably fortunate enough to be endowed with anamnesis, but might also subsist in fictile treated compounds; specifically, those arranged, embellished, and ordered so as to inspire felicitous gratification in persons whose hearts remain yet not fortified against such unaffected pleasures.
Especially noteworthy with regard to this acrobatic performance of a quadruple squarestack is the fact that the apparently disinterested, sanguine expression on this disciple’s face belies the incredible difficulty and danger inherent in his undertaking, connoting a level of SoH mastery which few individuals are privileged to have effectuated.
Some devotees of podiatric apparel deployment seek in its Art a method to express their inner longing, their darkest and most pusillanimous impulses, the rage of detachment that cannot be quelled or appeased. See here, then, such impious madness given its full reign. Drink deep of the black horror that would be both eternal nemesis and perpetual comfort.
From such autochthonous beginnings as these are things of majesty and wonder propagated, yet it is only with the benefit of hindsight that we can fully appreciate the abecedarian nature of this primordial SoH practitioner.
Pay heed, for example, to the tentative double-assist. The absence of unobstructed and plenary perlustration. The lack of equipoise evidenced by the amateurish decision to attempt an ancillary, abraded dorsal-mount.
And yet here she is. The progenitor of that without which we would be as lost as the sky is high and trifling as a drop of rain in a thunderstorm. The debt is a larger one than any of us might ever repay.